Action Bronson - Strictly 4 The Jeeps (Prod. Harry Fraud)

Bronsilini and Harry Fraud link up for a new banger.

Blu - Thelonius King Feat. Tristate and R.A. The Rugged Man

Blu - Thelonius King Feat. Tristate and R.A. The Rugged Man

Blu teams up with 1/3 of the Durag Dynasty and the film critic himself.  This song is dope and the visuals just add to it.

Midweek Mixtape: Nickelus F - Vices

Midweek Mixtape: 

Nickelus F - Vices

The Richmond, VA rhymesmith and 106 and Park Freestyle Friday champ dropped this one a few days ago and it's been on heavy rotation since. He's raspy voice mixed with his brash delivery and subject matter makes this mixtape one of the better solo artist projects to drop this year (yeah I know it's only January).

Download: Nickelus F - Vices (via NahRight)

Hip Hop Year End List

2012 Hip Hop End of the Year List

Channel Orange - Frank Ocean

Say what you want about Frank Ocean being bisexual, being a bad on stage performer, whatever. Shove it.  The kid has talent. And to be honest this album could have either been a colossal failure or an album of the year candidate.  With heavy praise coming from his Nostalgia/Ultra (made the list last year) and his work on Watch the Throne, he had no choice but to live up to the expectations. Cleaver song concepts mixed with passionate vocals and strong productions has made this an album with high replay value.  Even though he isn't hip hop, he has created a genre crossing album made to be listened by all.

Highs: Pyramids, Crack Rock, Bad ReligionLows: NoneBeats: 9  Rhymes: 10 Life: 10

Good Kid Maad City - Kendrick Lamar

I really shouldn't even write anything here because everyone reading should already know whats up.  But I'm here to do a review not dick ride.  The entire LP can be described as a story taking place through song.  If you want to hear a track by track interpretation check this out.  Puts the whole album in perspective.  One thing you will notice is a lack of presence from his TDE brethren Ab-Soul and Schoolboy Q.  I'm not mad at this, other classic albums didn't need feature heavy songs and producers (ie. Ready to die, reasonable doubt, illmatic). The entire album is a story so the cohesiveness of the tracks flows accordingly.  Kendrick never disappoints when it comes to the flow so that will never be a problem.  The CD is a borderline classic and shouldn't be treated as such just yet.  Just respect the Good Kid's perspective and grind and when you listen to the CD, don't press skip or stop.  Only pause, rewind and play.

Highs: Money Trees, Backseat Freestyle, Sing About Me/I'm Dying of ThirstLows: The bonus cut with Mary J BligeBeats:  9  Rhymes: 10 Life: 10

Jesus Piece - The Game

The Game has really surprised me and the rest of the rap game with this one.  It seems like when he wants to take his time and try and perfect hip hop he makes garbage (R.E.D.) but when he feels a little pressure and his back against the wall, Hurricane comes out and creates good albums.  This album features a lot of different artists (but The Game name drops 10x more) and thats what makes this album what it is.  He put the right people together on the right songs with his always dope arsenal of producers and went in.  I did notice on a lot of the tracks that he tries to become a chameleon and replicate flows and styles.  I'm amazed by it but other people hate it.  Whatever.  The album is dope and has a few bangers on it.

Highs: All That (feat Lil Wayne, Big Sean, Fabolous, Jeremih), Name Me King (feat. Pusha T), Blood DiamondsLows: Church (King Chip, Trey Songz), Hallelujah (Jaime Foxxx)Beats: 9  Rhymes: 7  Life:  7

R.A.P. Music - Killer Mike

Wow did I ever sleep on this album.  After he was on the list last year I shoulda known he was about to do it again but... I slept.  I'm woke now negro! El-P and Killer Mike make a great team the whole album sounds like what JJDOOM should be.  Killer Mike has never been one to bite his tongue and will openly talk politics and whatever the #&%k is on his mind but he does in a brash poetic that makes you conceptualize what he's saying and actually analyze it.  Its intelligent bounce rap and will appeal to many different types of people.

Highs: Big Beast, Reagan (PLEASE CHECK THIS JOINT), Butane (Feat El-P)Lows: Anywhere but HereBeats: 9.5  Rhymes:8.5  Life:  8.5

Life is Good - Nas

This joint took me back.  So many quality joints and not so many usual disappointing ones that you would usually find on a Nas LP.  His decision to get reacquainted with Extra P, Large Pro, Large Professor whatever you wanna call him was brilliant.  His old boom bap flow is evident on tracks like The Don and it's just nostalgic.  He kept the features list very limited and why not, who else do you need, Accident Murderers  is a great joint tho.  Other great concepts like Daughters, and the posthumous track with Amy Winehouse (Cherry Wine) show us exactly how versatile Nasir Jones is and how timeless his flow is.

Highs: Accident Murderers(Feat Rick Ross), Nasty, World's and Addiction (Feat Anthony Hamilton)Lows: Reach Out (Feat Mary J Blige)Beats: 7 Rhymes: 8  Life: 8

Reloaded - Roc Marciano

This is some gulley ass $H!T. Roc follows up his HEAVILY SLEPT ON ‘Marcberg’ with his sophomore LP ‘Reloaded.’ He aint the flashiest dude on the scene he aint yelling all over the track and using ad libs as rhymes. As BIG would say his ‘slow flow remarkable.’ The album is completely gloomy and mellow and it complements his style perfectly. I bet my bottom dollar that this dude aint on half of yall’s radars but yall need to check him out, yesterday.

Highs: Pistoler, Thread Count, Tek to a MackLows: We IllBeats: 7 Rhymes: 8.5 Life: 8

4eva N A Day - BIG K.R.I.T.

I’m going to start this by saying this dude has promise. And I was so upset with his debut album that I had to throw on some old shit just to cope. But 4eva N A Day has an almost ‘Undun’ feel to it. Tells a story of tragedy and triumph and he excels. The triple threat does nothing but give you his heart and soul in this mixtape.

Highs: Boobie Miles, 4evaNADay, 1986Lows: Sky ClubBeats:8.5 Rhymes: 8.5 Life: 8.5

Royalty - Childish Gambino

WHO THE F#&K GAMBINO? THIS NEGRO ON YO TIVO! That track is really Unnecessary. Anyway, the guy thats too white for the black kids and too black for the whites comes correct with a feature heavy 18 track mixtape that begs to be reckoned with. With most of the track (maybe all) made by himself and him doing all the writing and rapping, you have to respect his hustle.

Highs: Unnecessary, Toxic, RIPLows: really aint noneBeats: 9 Rhymes: 9 Life: 9

Habits and Contradictions - Schoolboy Q

I’m dickriding hard on TDE right now.... But tell me what label straight up rocked 2012? Bump y’all I’m giving respect where it is due. Schoolboy Q follows up Setbacks with this banger of an album. I saw the dude live earlier this year. YAWK YAWK! Dude is nuts. Anyways this whole album is full of energy and soul. You can feel the maturity come out in just about every song. He is what Wiz Khalifa should be. Even his songs that dont have any meanings Gangster in Designer (no concept) go super hard. And if him and A$AP Rocky don't do an album together, I’m gonna raise hell. Give it a listen, you won't be disappointed.

Beats: 8.5 Rhymes: 7.5 Life: 9

A Dream Deferred - Skyzoo

He just never disappoints, never. Skyzoo follows up The Great Debater with an album referencing the great Langston Hughes and one listen through is not enough. The album is mixed and mastered perfectly and the song selection is stellar. With production by 9th Wonder, !llmind, and DJ Khalil all he has to do is rap sub par bars and this album would get critical acclaim. Joints like Jansport Strings (a shout out to his mentor and Native Tongues rapper Chi Ali) take you back to your childhood days while joints like Rage of Romello keep you on the edge of your seat wondering which way the lyrics (and the beat) are going to turn.

Highs: Jansport Strings, Rage of Romello, RealizationLows: Drew and DrewinBeats: 8 Rhymes: 9 Life: 7.5

Mic Tyson – Sean Price

This dude. To be honest, he’s been ill. He’s probably the gulliest New York dude out there and his style is one that is hard to replicate. He says what he wants. He rhymes relentlessly over beats by my producer of the year, aka The Alchemist. STFU pt 2, Bar Barian, Title Track… The whole joint is what the rap game has been missing for awhile. While he did bless us with the Random Axe joint recently, SEAN P! is still putting in work and is one of the most comical, brash, intelligent and real dudes out there.
Highs: STFU pt 2, Bar Barian, Solomon Grundy
Lows: Hush

Beats: 9 Rhymes: 10 Life: 9

Russian Roulette - The Alchemist

Alan the Chemist has such versatility that it’s a wonder he’s been very hard at work the past few years. Working with Oh No (Gangrene), Joint EP with Curren$y, and a slew of other features that have made his synths legendary. Russian Roulette is most of his other albums, chopped full of features, but set to a Cold War Russian theme. Joints like Flight Confirmation (feat Danny Brown and Schoolboy Q) might sound off to you but remember the concept and how the actual beat makes the artist transform into their primal state (to be honest, it’s second favorite Danny Brown verse second to Terrorist Threats). And he didn’t just keep it west coast he went back and linked up with Infamous repper Big Twin, Mr. Muthafucking eXquire, Action Bronson and many others. The skits and interludes make this album what it is and it should be broken down track by track, pour up or light up and listen to it fully it’s a fun concept and a great album.

Beats: 10 Rhymes: 8 Life: 7.5

Control System – Ab Soul

SOULO HOE! I have to admit, I never slept on Soul. He’s always been the deep thinker of Black Hippy and probably the most influenced by Punch (CEO TDE). The album is full of highs (pun intended) and lows but balances itself out perfectly and is a great sophomore album. With appearances by Danny Brown (on one of the songs of the year Terrorist Threats…EXTRA PILLS!), Schoolboy Q, Kendrick Lamar, and his late boo the lovely Alori Joh the album doesn’t disappoint. If you think rappers are all talk and don’t have a personal side, check out ‘Book of Soul’. And if you think all rappers do is talk about conspiracy’s they have no idea about, check Bohemian Grove and see if Soul doesn’t have his 3rd eye open. Up there with Good Kid Maad City, this is one of the albums of the year.

Beats: 9 Rhymes: 10 Life: 9

1999 – Joey Bada$$

The kid is nice, and he tries to replicate the golden era of hip hop and showcases himself masterfully. Member of the New York Pro Era collective, Joey spits as if he is the second coming of Shyheim (do your homework). His ability to slur and mold his words in order to make them fit the beat is almost as reminiscent as the beats which he recycled to use. One of the newcomers on the scene, he has already made a name for himself in the game.

Beats: n/a (mostly recycled) Rhymes: 8.5 Life: 8

Pusha T - Wrath of Caine Review

Intro – The track sets the stage for the entire album.  The Jamaican woman in the beginning is basically saying ‘no one in the rap game can mess with Pusha T.’ Some shots at Wayne are thrown in the beginning as well, (Ima lean till they crown me king of New Orleans) but the energy is the most important aspect.  The tone is set, lets go.

Millions (Feat. Rick Ross) – I like this track because basically both of these guys are really good at being arrogant on the mic.    Yeah I know they did the I’m Good Remix.  Yeah I know they collab’d on I Still Wanna (btw Ab-Liva out rapped both them dudes on that track).  But this seems right up their alley.  The loud horns, booming bass and catchy hook only add value to this already demanding track by giving it the ability to bump in the trunk and be appreciated by all.

Doesn’t Matter (Feat. French Montana) – I’m sorry but the autotune falsetto craze that Future started needs to go away…yesterday.  Anyway back to the track.  He starts off the track with brash comparisons to some of history’s most dominant beings just to put you in your place; ‘Peasants aint sitting with the Kings, Goliath and worried bout your sling, and Cassius aint bothered by your swings.’  The entire track is basically a display of confidence and hierarchy.  Listen to the amount of grammar used, alliteration, assonance, slant rhyme, similes and metaphors.  For all those saying that all this dude talks about is drugs, actually listen to the words and see how skilled of a lyricist he really is.

Blocka – Back to the Jamaican theme with this one, with Young Chop on the beat (Chief Keef’s go to producer). The beat is simple but effective, allowing Pusha to show his rhyming prowess without being overshadowed.  You can tell in his voice that Push is hungry on this track, keeping it short and sticking to his coke rap roots: ‘no soundscan for a brick layer, square nigga you a brick hater.’

Road Runner (Feat Troy Ave) –Harry Fraud comes through with some smooth NYC lax music.  To be honest, it would have made more sense to have French Montana on this track. Push comes through with a lazy coke flow with imagery that would make BIG smile down.

Revolution – Everytime the Clipse and The Neptunes get together, classics are made.  The signature horns and synths allow for Young Thornton to come an map out his career with a syllable heavy flow.  Gives me hope that there will be more collaboration in the future.

Only You Can Tell It (Feat Wale) – This track has some 2004 Dipset roots with the chipmunk voice and heavy drums.  To be honest, I wouldn’t have even thought this collaboration possible before Wale joined MMG, it just wasn’t his lane.  But It seems every day he seems to adapt more and more into this new persona and it shows his versatility.  It’s a good look to have two major artist from the DMV connect on a track together.  The track follows in suit to the two previous tracks, giving us more mellow sounding tracks and some deeper flows.

Trust You (Feat. Kevin Gates) – As stated before, this autotune falsetto stuff is wack… But this guy actually has some decent bars.  This is the track for the ladies.  Nuff said.

Take My Life (Feat Andrea Martin) – We had back to Kingston with this one and bring the guitar and the keys (pun intended) with us.  This track reminds me of Nightmares from When the Casket Drops with an eerie feeling of death around the corner.  Push seems more cautious than paranoid on this track though.

Liva – RE-UP GANG MOTIVATION – R.E.U.P.G.A.N.G. LIVA DON comes through and blesses the tape with a much appreciate feature.  To be honest his flow has always been the one that impressed me out of the 4.  The way he can effortlessly ride a beat and carry the same rhyme over 8-12 bars is nothing short of impressive and the visuals that his paints and the metaphors that he uses makes him one of the most slept on rappers in the game. Go get his I-Can tapes.  If they would’ve gone back and forth on this joint… that would’ve taken me back to 2006.

I am Forgiven – The final track brings a sense of self-realization;  a sense of actual closure.  ‘I ask forgiveness Lord, in hopes of getting more, then beg forgiveness for the same thing he forgave me for’; if that line doesn’t describe life itself.  We know we do wrong but sometimes we can’t help ourselves to be trapped in the same sin again.  He gives us a glimpse of how he perceives his own reality and states that you can’t go through all that he has, and not be forgiven.  I couldn’t think of a better way to end The Wrath of Caine.

Pusha T- Wrath of Caine

Download the Mixtape Below!

http://www.livemixtapes.com/mixtapes/20556/pushat-wrath-of-caine.html

Wales' Grammy Nod

This topic ran through my mind all day today as I was trying to process the last time or if there was a hip hop artist from the DC Area ever nominated for a Grammy, no matter the category.  Of course you can say well you have Timbaland and Pharrell influencing many different genres with their production talents, but has there ever been a lyricist from the DMV nominated for his words?  Then that got me thinking about the timing.  We’re coming up on the 2 year anniversary to his Super Bowl day signing to Maybach Music.  Has Rick Ross’ influence helped Wale to the point where he is an internationally accredited artist or has the award show lost its humble groundings?  To be honest, you can argue for both sides.  

I think Wale is an exceptional artist and even though I didn’t agree with the move the Maybach Music at first, you can see his growth as an artist.  To leave Jay-Z and hop over to then, Warner Bros. Records must have taken a lot of negotiation and persuasion but in the end, Wale is getting the respect he deserves.  Wale has changed a lot since his February 2011 singing mostly in the realm of his production and his connection to go-go.  Since Ambition dropped, and the Eleven-one-eleven theory before that, you have seen a darker more ‘street’ side of Wale.  I think Rick Ross saw his ability to create and be versatile over different records and decided to take the wheels of his career and change his lane.  I’ll admit, when I first heard him on the Self Made vol 1, I wondered who I was listening at first.  This wasn’t the same guy harmonizing about Ice Cream Girls and making songs with Mark Ronson.  This was a transformed Wale, with a good kid gone bad persona.  Maybe its been inside him all along (pause) but, I’ve never heard that type of tenacity in his voice.  And guess what people, soft rappers don’t sell.  Wannabe murderers and misogynists do.

Then you have the Grammy’s. Since the 2012 awards there has been a change in the number of categories and it has been increasingly hard to try and get the hardware.  Especially in the hip hop genre.  If you’re not on the same label as Jay-Z, Dr. Dre, or Lil Wayne, good luck.  It aint gonna happen.  In my opinion, its run by the labels and if your label doesn’t have some money to blow then it ain’t happening.  Ever. I guess this is why people sell out, the industry basically makes you if you ever want to sit at the table with the big boys. I will watch the show, for the performances only.

To be completely honest I’m happy for the guy.  I’ve been wanting this since I heard DC Gorillaz.  I’m just seconding guessing the timing.  Lotus Flower Bomb is a good song, baby making music at its finest.  Is it Wales’ greatest work? Hardly.  Will winning a grammy for Lotus Flower Bomb rather than for Shades or the Artistic Integrity stop his drive and his and my own appreciation for his music.  Not one bit.

To be honest, it is now or never for him, and as a fellow DMV’ian I hope he wins.  Congrats Ralph.

Long.Live.A$AP Review

What’s up everyone its Big Rizzle and I’m going to be doing a track by track review of A$AP Rocky’s debut album Long.Live.A$AP.  If you don't know who Rocky is, he is a young cat our of Harlem NY who uses many different styles and influences in his rhymes.  One verse his inner Krazie Bone might come out and on the next line he might sound like Pimp C.  Very versatile and has a very good flow.  Not the greatest lyricist but he knows how to keep you listening.  My opinions are mine and mine alone and if you want to make noise, send me a facebook message or leave a comment below.

1. Long Live A$AP (Produced by Jim Jonsin)

With this joint, Rocky runs head first out the gate. The beat casts a dark cloud over the  rhymes and sets a tone for the test of the album.  Over the mellow cadence, Rocky reflects on life as shown in the last line in verse one: “I wonder if they miss me, as long as I make history/
Now my soul is feeling empty, tell the reaper come and get me.”  This self reflection  on his past and future life tells me Rocky is grounded but at the same time self conscious of the people affected by his music.  He wants to be in it for the long run, and with an opening track that seems to do nothing but look back into the past of a young rock and show us who he’s become, he should have no problem.

Beats - 9  Rhymes - 7   Life - 9

2.  Goldie (Produced by Hit Boy)

Hit Boy is a fool for this one.  This is hands down the best song on the album and it was released months ago.  The way Rocky effortlessly levitates over the beat flaunting names of designers you’ve never heard of (let alone afford), and reminding you why he’s Pretty Flacko and everyone else is just...yeah.  Every rapper has that track that boasts his wealth and its usually a track that stand out in their catalog; i.e. Jay-Z Big Pimpin, B.G. Bling Bling, Notorious BIG Hypnotize.. the list can go on.  And while some of his raps are sub-par in this one, especially the 2 Chainz worthy second verse opener: “Yes I’m the shit, tell me do it stink/it feels good waking up to money in the bank”, he finds a way to bring it back together with his flow and delivery.  The different pitches in his voice make it fun to listen to and the bass makes your speakers crave it.

Beats - 10  Rhymes - 6.5  Life - 10

3. PMW (Produced by T-Minus) Feat. Schoolboy Q

If Kendrick Lamar and J. Cole can do a project, these two can put something together.  Everytime they get together its nothing but energy.  Even though this joint isn’t the livest joint on the album the chemistry is still there.  It’s like Mac and Devin go to college.  If you haven’t found out what PMW stands for, its Pussy Money Weed.  And to be honest its these three topics which encompass 75% of Rocky’s subject matter (the other 25 being fashion and violence).  This song is basically a bachelors anthem, rhymes about one night stands and blowing loud is all the song is really about, nothing special, except the incredible chemistry between these two artists.

Beats - 7  Rhymes - 7.5   Life - 7.5

4. LVL (Produced by Clams Casino)

If you haven’t heard of Clams Casino, please for the love of God go get his beat tape.  He’s like a mellow Flying Lotus.  Anyway the chemistry between Clams  Casino and Rocky was evident on the tracks he produced on Live Love A$AP.  They team up again here to make a track that feels like its on lean (promethazine (prescription cough syrup) and sprite), which is right up Rocky’s alley.  Given his deep influences with the Houston TX rap scene its easy for him to feel comfortable rhyming in a screwed state.  As stated before he doesn’t necessarily have the metaphors and similes to keep most hip hoppers hitting rewind but the kid makes good music and thats what to be appreciated.

Beats - 10  Rhymes - 7  Life - 8

5. Hell (Produced by Clams Casino) Feat. Santigold

A back to back collab between Clams and Rocky would sound like a good idea but the whole song just doesn’t mesh right.  The beat is straight and Rocky’s delivery and style is present but the Santigold feature just doesn’t mesh.  She almost outdoes Rocky on his own track.  Her voice is beautiful and Rocky’s lines seem a bit lazy.  It’s a good song don’t get me wrong but it just doesn’t fit.

Beats - 9  Rhymes - 6.5  Life - 7.5

6.  Pain (Produced by Soufien3000) Feat Overdoz

Back to back songs that just don’t serve a purpose.  The sequence was Hell  and Painful to listen to.  This might be the worst song on the album.  I’m not going to sit here and bash Rocky because the album has promise.  This joint sounds better suited on a Tyler the Creater album.  See if he can use this on Wolf. Just press skip.

Beats - 6  Rhymes - 5  Life - 3

7.  Fucking Problems (Produced by 40 and Drake) Feat. Drake, 2 Chainz, and Kendrick Lamar

I mean, this is the club banger on the CD.  With the lineup you really can’t lose...can you?  To be honest this is right up Rocky, Drake, and 2 Chainz alley....Kendrick though... not his best effort.  Good thing 1 Train is on the album so he can redeem himself (we’ll get to that later).  The song is basically about liking women and it being a problem and liking to fuck and its a ‘fucking’ problem.  The joint went Gold, so I’m not gonna hate, I’ll just grab a shorty at the club the next time the joint comes on.  Probably the only place I’ll listen to it.

Beats - 8  Rhymes - 7  Life - 7

8. Wild For The Night (Produced by Birdy Nam Nam and Skrillex)

This is my joint right here.  When you hear the guitar and the screwed up Rocky talking you think its gonna be like that the whole time... Nah nigga....this joint hits the 0:42 second mark and turns into Optimus Prime.  Rocky got on his Chase and Status/ MC Rage EuroTrip  shit and straight hit this beat over the wall and out the park on some Big Papi shit.  This track is hype, makes you wanna go to the gym and MAX out on everything.  Rocky’s delivery is definitely on point and this is hands down one of the best joints on the album.

Beats - 10 Rhymes 8  Life - 9

9. 1 Train (Produced by Hit Boy) Feat. Kendrick Lamar, Joey Bada$$, Yelawolf, Danny Brown, Action Bronson, Big K.R.I.T.

Probably the most hyped track on the album because of, well, the features.  Rocky tries his best to keep up but is left in the dust on this one (probably why he didn’t go last like most rappers do on their own posse cuts).  Everyone steps their rap game up to Super Sayajin levels on this one but there are a few little nuances.  First, Danny Brown just doesn’t fit on this joint and he’s probably my favorite rapper on the track.  And second, the beat, its just not something I want to hear for like 7 minutes.  I will admit, KRIT was on LEVEL 4 (you thinkin you can level more?) and deserved to cap the joint off.  

Beats - 8  Rhymes - 10  Life - 10

10.  Fashion Killa (Produced by Friendzone)

I guess this is the one for the ladies?  Either way the beat is pretty dope, I especially like the hi-hat in the background.  The track was really mixed well.  Basically he finds a way to fit 30 different designer brands into a song... Nothing really more than that.  I think he tries to sing too at the end...

Beats - 8  Rhymes - 5  Life - 6

11.  Phoenix (Produced by DangerMouse)

DangerMouse huh?  Where have you been?  Anyway this track is reminiscent to the first few songs on the album with the dark undertones and Rocky just getting raw.  He is really a deep person who can conceptualize and make you hear his feelings.  Does a very good job of using imagery and painting a vivid picture of what he perceives as reality.  One of the better cuts on the album because it actually makes you feel what hes saying.  The opener to the second verse: “Bloody ink on my pen spelled suicide/Kurt Cobain even died ‘cause you scrutinize/ its a thin line between truth and lies/ Jesus Christ never lied but was crucified” is a good way to portray the ambience the song brings.

Beats - 9  Rhymes - 9  Life - 9

12.  Suddenly  (Produced By A$AP Rocky, Ty Beats)

This is another joint that is just mad mellow and his flow and delivery just find a way to make it beautiful.  He goes back and forth between double timing the rap and keeping it trill and mellow, it takes skill to ride a beat like that.  I love the sample too.  Its a good way to end the album.

Beats - 7.5  Rhymes - 8  Life - 8

Bonus Cuts

Jodye (Produced by Joey Fatts)

Basically Rocky is throwing shots at SPVCXXGHXZTPVRRP andn RVIDXR KLVN.  Its probably the darkest beat on the album but the joint is a bounce track.  Shouts to C-Murder for helping him with the hook too haha.  Listen to how he goes from sounding like Scarface, to Krazie Bone, back to Rocky... Its amazing.

Beats - 8  Rhymes - 8.5  Life 8

Ghetto Symphony  (Produced by V Don)

How this didn’t make it on the actual album... whatever spilled milk.  This is one of my top 3 joints on the album.  Gunplay finds another way to hop on a track and commit murder in the first.  A$AP Ferg...eh.

Beats - 9.5  Rhymes - 9  Life - 9

Angels (Produced by Amsterdam)

The beat is kinda weird but it fits and he bodies it.  Another joint that probably could’ve replaced something on the actual album.

Beats - 8.5  Rhymes - 8.5  Life - 8

For a debut album, its pretty solid. It has a lot of variety and can appeal to a bunch of different types of hip hop heads, and just music fans alike. In my opinion Live.Love.A$AP was a better project but this has a lot better production, features, and symbolism.

Overall Beats - 8 Rhymes - 7 Life 8.5